We all just want to be shirtless and gay and on a boat off the coast of France with the love of our lives, right? This film gives us plenty of that, with a gorgeous 80s aesthetic to boot. However, permeating this narrative are also moments of grief, sadness, regret, and a deep and impenetrable longing for what could have been. Tragedy and heartbreak live alongside youthful joy and discovery. But what taste does this specific blend leave in your mouth? Don’t worry, we’ll get to that. […]
The Blonde One is perhaps a generous translation of this film’s title. The original Spanish “Un rubio” is in fact very telling. Juan utters these words to refer to part-time lover Gabriel; it is an indefinite article for an indefinite relationship: to him, Gabriel is simply “a blonde”, another body to use and explore. From the start, what they have together appears strictly casual ー and yet, as time goes on, could there perhaps be more? […]
As queer people ー specifically, gay men ー we are used to relationships not lasting forever. People get scared ー of their own romantic and sexual impulses, of how they feel about their identity ー and they run away. Encounters are often hidden: we meet at night, in dark corners, away from prying eyes. Sometimes the light of day eclipses what went on in the dark, and we are left wondering if our desperate minds fabricated the whole thing. And then the night begins again, and he comes back, and we know that, even if just for tonight, it’s real.
In 2020, it’s hard to believe that a film about a gay and a lesbian being each other’s beards (pretending to date each other so people think they’re straight) hadn’t been made. I suppose there was that one storyline on Glee… but still, here it is, finally, in full cinematic force. Of course, the main question is: does it live up to the hype? And the answer, of course, is complicated. Dating Amber (David Freyne, 2020) is a coming-of-age comedy set in oppressive 1990s Ireland. The story follows baby gay Eddie (Fionn O’Shea) and baby lesbian Amber (Lola Petticrew), and their developing friendship as they pursue a pretend relationship. […]
Come one now. It’s a gay classic at this point. You’d think that a whimsical comedy about queer kids forced to attend conversion therapy camp wouldn’t work at all… but it so does. Let me tell you why. But I’m a Cheerleader (Jamie Babbit, 1999) focuses around the story of Megan (Natasha Lyone), a timid 17-year-old coming to terms with her sexuality. At an intervention, her friends and family affront her with hilariously problematic lesbian stereotypes that she seems to follow, such as “being a vegetarian” and “liking Melissa Etheridge’s music”. They decide that she should be sent to “True Directions”, a gay conversion therapy camp that imposes 1950s-style gender roles on its unwilling teenage attendees.