Stage Mother: painfully average

Sometimes bad films are so bad they become iconic: The Room (2003), Michelle Visage’s favourite Showgirls (1995) and even the nightmare-fueled Cats (2019) have become cult classics. On the other side, sometimes great films have huge success and go on to be universally acclaimed by critics and audiences alike: think Citizen Kane (1941), The Godfather (1972) and even Titanic (1997). The least memorable films sit right in the middle: never good enough to be truly great, but never bad enough to be iconically awful. Stage Mother is one of those films. […]

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