Dating Amber: queer solidarity at its purest

In 2020, it’s hard to believe that a film about a gay and a lesbian being each other’s beards (pretending to date each other so people think they’re straight) hadn’t been made. I suppose there was that one storyline on Glee… but still, here it is, finally, in full cinematic force. Of course, the main question is: does it live up to the hype? And the answer, of course, is complicated. Dating Amber (David Freyne, 2020) is a coming-of-age comedy set in oppressive 1990s Ireland. The story follows baby gay Eddie (Fionn O’Shea) and baby lesbian Amber (Lola Petticrew), and their developing friendship as they pursue a pretend relationship. […]

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Holy Camp!: sis, it’s a wild ride

Coming into this, I think I was promised something like But I’m a Cheerleader: The Musical, in Spanish. What I got was, if you can believe this, so much more and so much wilder than that. My thoughts throughout were, to quote lovely fifth alternate Alyssa Edwards, ‘what the fuck is going on in here on this day?’ Avoiding any major spoilers, I will try to explain ー though I’m not sure to what extent that will be possible.

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Handsome Devil: beautifully vulnerable in its sensitivity

If the success of Fleabag is anything to go by, Andrew Scott playing sexy Irish anything is guaranteed to be a hit. Before he was a sexy Irish priest in that hit TV show (that’s hit TV show, Nina), he was a sexy, Irish and even on-the-cusp-of-homoerotic teacher in Handsome Devil. Top Tip: Try not to get distracted by Andrew Scott’s beauty. Or his seductive Irish accent. Or his brooding eyes. What were we talking about?

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Interview: Isabel Coixet

I find that there are some themes I really enjoy exploring: I love creating portraits of people’s inner selves, I like to really observe people ーwhat do people do when they’re all alone? In the privacy of their bedroom or their own home? How do we live when we’re in solitude? And courage is very important: I like people who, even when everything is against them, follow the ideas they have in their head. Perhaps those are all the things my films have in common. […]

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Elisa y Marcela: Isabel Coixet births another masterpiece

There are different kinds of silence in film. There is the uncomfortable, dominating silence that makes your muscles tense in morbid anticipation. Then there is the intimate silence, where a glance, a touch, a brush of skin tells everything; where words aren’t necessary to reassure both character and spectator and bring them in closer. This film gifts us both kinds of silence, and shows us the difference. Elisa y Marcela (2019) is a Spanish romantic drama film by the auteur filmmaker Isabel Coixet. […]

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I Am Jonas: overly cerebral or intelligently thought-provoking?

I Am Jonas (Christophe Charrier, 2018) is a coming-of-age gay love story shrouded in dark mystery. Originally made for the (as the name suggests) artsy European TV network ARTE and then brought to Netflix in spring 2020, it tells the story of the eponymous Jonas and handsome troublemaker Nathan. We explore their teen romance, its subsequent murky demise and the long lasting after-effects. Watching with the original French language subtitles, the first closed caption of “musique oppressante” (no language prizes for guessing what that means) tells us we’re in for a bumpy ride. […]

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