After they first sleep together, Martin does everything he can to not let David get away. First, he makes him breakfast. Next, he drives David to his parents’ house in rural Sweden and they spend another night together. After driving David back into Stockholm the next day, Martin knows that this is as long as he can cling on; now, he must let David go back home, and hope that he comes back to him after his homosexual comedown. Fortunately for us, this is a romantic comedy, so I don’t think it spoils anything to say that’s not the end of their love story.
Stage Mother: painfully average
Sometimes bad films are so bad they become iconic: The Room (2003), Michelle Visage’s favourite Showgirls (1995) and even the nightmare-fueled Cats (2019) have become cult classics. On the other side, sometimes great films have huge success and go on to be universally acclaimed by critics and audiences alike: think Citizen Kane (1941), The Godfather (1972) and even Titanic (1997). The least memorable films sit right in the middle: never good enough to be truly great, but never bad enough to be iconically awful. Stage Mother is one of those films. […]
Wish You: a flawed but precious rom-com
Soft acoustic pop and passing cars lead into lingering glances across a sleeping city. Adoring fan Sang-i gazes longingly at street singer Kang In-su as he strums his way through a soppy ballad, the almost-title track “Wish For You”. Initial seeds of romance are planted within the first 2 minutes; yet, we are forced to wait with baited breath until the last 2 minutes to see whether the buds will blossom. This, of course, begs the question: how much do we really gain along the way? […]
Sequence Analysis: The Handmaiden, destroy the library
“The daughter of a legendary thief, who sewed winter coats out of stolen purses. Herself a thief, pickpocket, swindler. The saviour who came to tear my life apart. My Tamako, my Sook-Hee.” So narrates Lady Hideko over perhaps the most celebrated scene of Park Chan-Wook’s The Handmaiden (2016). In the emotional and symbolic climax of this two-and-a-half hour Korean epic, Sook-Hee and Hideko, class enemies turned lovers, destroy a library together, shouting a symbolic fuck you to the patriarchy in the process. In order to understand the full impact of this action for characters and spectators alike, we must first briefly circle back and work out how we got here. […]