Duck Butter: an experiment in chaotic realism

Duck butter, or “manteca de pato”, is a term for (and excuse the graphic description) thick white discharge around the vagina. Viscerally, this is quite an off-putting term, but it is also a lightly humorous one, and perhaps even subtly charming. This is a good representation of the film as a whole. And while the […]

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Donne-moi la main: mundane but also infinitely confusing

I watched this last weekend with some friends and I just had to find a way to process this clusterfuck of a movie. So here we go. Oh, and just to clarify, it’s not about incest …probably. Donne-moi la main, English translation: Give Me Your Hand, (Pascal-Alex Vincent, 2008) is a French-language film about a twin brothers’ journey across Europe. As they travel to the funeral of a mother they’ve never met, Antoine and Quentin confront their complicated sibling relationship, as well as perceptions of their own and each other’s desires.

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The Mudge Boy: oddly traumatic with no apparent purpose

Oof, this one hits you by surprise. But at the same time, you sort of know exactly what’s going to happen. Don’t worry, I’ll come back to this later on… The Mudge Boy (Michael Burke, 2003) tells the story of 14-year-old Duncan and his struggle to find himself and his people in non-descript rural America. We follow his emotional journey with one volatile town bully, Perry, as they move towards something akin to friendship, or maybe more…! (You know what this blog is about, right?) […]

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Holy Camp!: sis, it’s a wild ride

Coming into this, I think I was promised something like But I’m a Cheerleader: The Musical, in Spanish. What I got was, if you can believe this, so much more and so much wilder than that. My thoughts throughout were, to quote lovely fifth alternate Alyssa Edwards, ‘what the fuck is going on in here on this day?’ Avoiding any major spoilers, I will try to explain ー though I’m not sure to what extent that will be possible.

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Disobedience: a fraught examination of the tensions between faith and queerness

It’s amazing how a film can be so rooted in the present when it’s really about history. Personal history, romantic history, cultural and religious history all permeate the thematic presentation; and yet, the film’s almost hyper-realistic style plants it so firmly in its present that you can’t help but feel that you’re there. Let me explain. Disobedience (Sebastián Lelio, 2018) tells the story of Ronit, a woman who, upon learning of the death of her father, returns to the Orthodox Jewish community where she grew up. Having fled the community in North London for New York as a teenager, she is now confronted with what she left behind: principally, her childhood friends Dovid and Esti. We witness the trio’s internal struggle as they try to grapple with their conflicting cultural views and complicated history. And boy is it vivid. […]

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The Half of It: a muted autumnal almost-romance

The Half Of It (Alice Wu, 2020) is your classic American teen romcom with a twist: it’s GAY. Lesbian, specifically. Maybe bisexual on one half; it’s hard to tell. Typical high school nerd Ellie Chu writes other people’s school essays for money to help support her father. One day she is commissioned by Paul to write a love letter to beautiful popular girl Aster, and it works almost too well. Ellie writes with increasing passion to Aster, who thinks she’s Paul, and a complicated pseudo-relationship progresses. I’m not going to lie, it’s a great premise. And, despite some clumsiness, it mostly delivers. […]

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God’s Own Country

First off, a warning: don’t start watching this whilst eating. You’ve got vomiting, calving and barebacking (and in that order) all in the first ten minutes. Although the movie soon becomes more palatable, it is worth noting that this is not a comfortable film to watch. Comforting maybe, especially by the end, but far from comfortable. […]

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