This film could be mistaken for a simple and harmless lesbian teen rom-com. In the West and in 2020, we are lucky to have quite a few of those. But when it premiered 10 years ago in a then quite conservative Thailand, it was the country’s first lesbian film with a butch protagonist. Knowing this, the narrative’s insistence on focusing on Kim’s tomboyishness as a barrier to her friendships and relationships makes a lot more sense. We’ll go into that more later...
There are different kinds of silence in film. There is the uncomfortable, dominating silence that makes your muscles tense in morbid anticipation. Then there is the intimate silence, where a glance, a touch, a brush of skin tells everything; where words aren’t necessary to reassure both character and spectator and bring them in closer. This film gifts us both kinds of silence, and shows us the difference. Elisa y Marcela (2019) is a Spanish romantic drama film by the auteur filmmaker Isabel Coixet. [...]
Generic title, right? “The Feels”. And did it give me ‘the feels’? Well it turns out that’s a reference to orgasms, so no, but if we’re talking about other kinds of feels, then yes. At times. We’ll get to that... The Feels (2017, Jenée LaMarque) is a self-described dramedy about a lesbian couple’s bachelorette weekend. Lu drunkenly admits to her fiancée Andi in front of the whole group that she’s never had an orgasm, causing a rift between the couple. This, alongside other unexpected drama, causes tension in the group as the friends and the brides-to-be navigate their relationships. [...]
"I want to see you” You know what Therese Belivet, I also want to see Cate Blanchett, at any and all times possible, so thank you. As suggested by my opening quote, Carol (as film and character) is extremely visually rich. It is sensual, evocative, and elegant. The theme of vision — observation, seeing and being seen — comes around time and time again. [...]