‘Hear me: it is not a handicap to to have one thing and not another, to be one way and not another.’ As Miranda clears up the kitchen, sounds of plates seem extra loud in the silence of the night as she and Cyd make awkward small talk. The camerawork mirrors Miranda’s conviction, staying on her without moving for most of her speech. There is a static visual background and no music to distract us, only the faint hum of chittering cicadas lingering in the soundtrack. […]
Princess Cyd opens with a deeply traumatic premise. We hear a neighbour’s 911 call, and our title character Cyd gets some devastating news: her mother and brother have been fatally shot. Throughout the action of the film, we find ourselves forgetting the trauma in moments. Impressively, though, the film still manages to find joy. Ultimately, it is a coming-of-age drama about finding common ground, building relationships and dealing with trauma through interpersonal connection.
The opening scene of this film plants you right in the action: two teenage boys masterbating together the night before the titular Henry Gamble’s birthday. Henry and his friend Gabe are the sons of two staunchly Christian households, and they’re talking about a girl while they do it, so no homo. Fortunately, as becomes increasingly clearer as the film progresses, there is, in fact, much homo. […]
Elliot Page is really the standout performance in My Days of Mercy (2017, Tali Shalom Ezer). In the film, they play Lucy, who, after her father is accused of first-degree murder in the US, becomes an anti-death penalty activist. At a protest outside a jail where an execution is taking place, Lucy meets Mercy (Kate Mara), an activist on the other side of the debate, whose father’s best friend and partner was murdered. Though they live in different states, Lucy in Ohio and Mercy in Illinois, the two have an undeniable spark. A sexual and romantic relationship thus develops as they try to grapple with the shocking differences in each views politics, the world, and the pursuit of forgiveness and justice. […]
My instinct is to say that this queer coming-of-age film is nothing revolutionary; however, it seems that ー even in 2021 ー a film aimed at teenagers that revolves around trans joy is in fact just that.
Alice Júnior (Gil Baroni, 2019) tells the story of its title character, a vibrant 17-year-old trans girl who’s worried about getting her first kiss. The film’s journey begins when she moves from a fancy apartment in a high-rise building in Recife to the small conservative town of Araucárias do Sul. After incidents of cyberbullying at her new school, she no longer has an online refuge to escape to. Can she reclaim a place in her new life? And, crucially, will she get her first kiss? […]
Soft acoustic pop and passing cars lead into lingering glances across a sleeping city. Adoring fan Sang-i gazes longingly at street singer Kang In-su as he strums his way through a soppy ballad, the almost-title track “Wish For You”. Initial seeds of romance are planted within the first 2 minutes; yet, we are forced to wait with baited breath until the last 2 minutes to see whether the buds will blossom. This, of course, begs the question: how much do we really gain along the way? […]