He stares into the fire as if searching for something; he seems drawn to it inextricably, and nods when he sits down, perhaps recognising memories from summer in the twisting flames that eventually must mark his retinas. A mix of tears, sobs and smiles, the moment —along with Elio's emotional journey— is bittersweet. He bites his lip, chewing on a memory; later, a tear falls down his face and he lets it enter his mouth, letting himself literally consume the sadness, embracing and surrendering to the emotion. [...]
“Call me by your name, and I’ll call you by mine.” It really is the perfect eponymous quote for a film about narcissism and projected self-obsession. Suggested by Oliver to his younger male lover, it reads from his mouth as a yearning for lost youth. Yes, this film is beautifully shot, and yes, the stylisation is exquisite; but this love story is far from pure. [...]
I watched this last weekend with some friends and I just had to find a way to process this clusterfuck of a movie. So here we go. Oh, and just to clarify, it’s not about incest …probably. Donne-moi la main, English translation: Give Me Your Hand, (Pascal-Alex Vincent, 2008) is a French-language film about a twin brothers’ journey across Europe. As they travel to the funeral of a mother they’ve never met, Antoine and Quentin confront their complicated sibling relationship, as well as perceptions of their own and each other’s desires.
I Am Jonas (Christophe Charrier, 2018) is a coming-of-age gay love story shrouded in dark mystery. Originally made for the (as the name suggests) artsy European TV network ARTE and then brought to Netflix in spring 2020, it tells the story of the eponymous Jonas and handsome troublemaker Nathan. We explore their teen romance, its subsequent murky demise and the long lasting after-effects. Watching with the original French language subtitles, the first closed caption of “musique oppressante” (no language prizes for guessing what that means) tells us we’re in for a bumpy ride. [...]