Sequence Analysis: The Handmaiden, destroy the library

Sequence Analysis: The Handmaiden, destroy the library

“The daughter of a legendary thief, who sewed winter coats out of stolen purses. Herself a thief, pickpocket, swindler. The saviour who came to tear my life apart. My Tamako, my Sook-Hee.” So narrates Lady Hideko over perhaps the most celebrated scene of Park Chan-Wook’s The Handmaiden (2016). In the emotional and symbolic climax of this two-and-a-half hour Korean epic, Sook-Hee and Hideko, class enemies turned lovers, destroy a library together, shouting a symbolic fuck you to the patriarchy in the process. In order to understand the full impact of this action for characters and spectators alike, we must first briefly circle back and work out how we got here. [...]

The Handmaiden: Sapphic mystery goes rogue

The Handmaiden: Sapphic mystery goes rogue

Crossing, double-crossing, triple-crossing. Failed heists, successful heists, twists. Lesbian sex scenes that reclaim symbols of patriarchy; lead characters defying expectations of womanhood and class in the repressive Japanese-occupied Korea; ripples and reprecussions of political and cultural history. This film has it all. And so much more. Then, just when you think you know what’s going on, your whole reality is turned on its head. Twice. [...]