Coming into this, I think I was promised something like But I’m a Cheerleader: The Musical, in Spanish. What I got was, if you can believe this, so much more and so much wilder than that. My thoughts throughout were, to quote lovely fifth alternate Alyssa Edwards, 'what the fuck is going on in here on this day?' Avoiding any major spoilers, I will try to explain ー though I’m not sure to what extent that will be possible.
It's amazing how a film can be so rooted in the present when it's really about history. Personal history, romantic history, cultural and religious history all permeate the thematic presentation; and yet, the film's almost hyper-realistic style plants it so firmly in its present that you can't help but feel that you're there. Let me explain. Disobedience (Sebastián Lelio, 2018) tells the story of Ronit, a woman who, upon learning of the death of her father, returns to the Orthodox Jewish community where she grew up. Having fled the community in North London for New York as a teenager, she is now confronted with what she left behind: principally, her childhood friends Dovid and Esti. We witness the trio's internal struggle as they try to grapple with their conflicting cultural views and complicated history. And boy is it vivid. [...]