Four More Years: a not-so-innocent rom-com

Four More Years: a not-so-innocent rom-com

After they first sleep together, Martin does everything he can to not let David get away. First, he makes him breakfast. Next, he drives David to his parents’ house in rural Sweden and they spend another night together. After driving David back into Stockholm the next day, Martin knows that this is as long as he can cling on; now, he must let David go back home, and hope that he comes back to him after his homosexual comedown. Fortunately for us, this is a romantic comedy, so I don’t think it spoils anything to say that’s not the end of their love story.

Wish You: a flawed but precious rom-com

Wish You: a flawed but precious rom-com

Soft acoustic pop and passing cars lead into lingering glances across a sleeping city. Adoring fan Sang-i gazes longingly at street singer Kang In-su as he strums his way through a soppy ballad, the almost-title track “Wish For You”. Initial seeds of romance are planted within the first 2 minutes; yet, we are forced to wait with baited breath until the last 2 minutes to see whether the buds will blossom. This, of course, begs the question: how much do we really gain along the way? [...]

Sequence Analysis: The Handmaiden, destroy the library

Sequence Analysis: The Handmaiden, destroy the library

“The daughter of a legendary thief, who sewed winter coats out of stolen purses. Herself a thief, pickpocket, swindler. The saviour who came to tear my life apart. My Tamako, my Sook-Hee.” So narrates Lady Hideko over perhaps the most celebrated scene of Park Chan-Wook’s The Handmaiden (2016). In the emotional and symbolic climax of this two-and-a-half hour Korean epic, Sook-Hee and Hideko, class enemies turned lovers, destroy a library together, shouting a symbolic fuck you to the patriarchy in the process. In order to understand the full impact of this action for characters and spectators alike, we must first briefly circle back and work out how we got here. [...]

The Handmaiden: Sapphic mystery goes rogue

The Handmaiden: Sapphic mystery goes rogue

Crossing, double-crossing, triple-crossing. Failed heists, successful heists, twists. Lesbian sex scenes that reclaim symbols of patriarchy; lead characters defying expectations of womanhood and class in the repressive Japanese-occupied Korea; ripples and reprecussions of political and cultural history. This film has it all. And so much more. Then, just when you think you know what’s going on, your whole reality is turned on its head. Twice. [...]

Your Name Engraved Herein: a love story without any love

Your Name Engraved Herein: a love story without any love

Marketed as part- queer coming-of-age story part- bittersweet romance, Taiwan’s most popular film of 2020 landed on global Netflix in December. Complete with a seemingly deep and enigmatic title, Your Name Engraved Herein (Patrick Kuang-Hui Liu, 2020) sells itself as arthouse queer cinema out in the mainstream; it is, after all, the highest-grossing LGBT film in Taiwanese cinematic history. And yet, having reached the end of an intense and brooding 1 hour and 54 minutes, I couldn’t help but ask… am I missing something? [...]

A New York Christmas Wedding: the best and the worst film you’ve ever seen

A New York Christmas Wedding: the best and the worst film you’ve ever seen

Starting this film off, I had to google to check whether it was, in fact, queer. Fortunately, after an appearingly heterosexual opening, the lesbianism arrives ー slowly, and then all at once. Just to reassure you: the titular New York Christmas Wedding does end up being a New York Christmas Lesbian Wedding. More accurately, a A New York Christmas Surprise Lesbian Catholic Wedding. But we’ll get to that. [...]

Margarita with a Straw: a (somewhat forced) self-love story

Margarita with a Straw: a (somewhat forced) self-love story

As this film begins, hazy Indian street smoke partially clears to show us our main characters. Laila, a girl with cerebral palsy, sits in the back seat, gazing out the window in what is to be one of many journeys for her in Margarita with a Straw. Music mixes with busy road noise, and we are brought into an exciting and enchanting world. [...]

Sequence Analysis: Call Me By Your Name’s final scene

Sequence Analysis: Call Me By Your Name’s final scene

He stares into the fire as if searching for something; he seems drawn to it inextricably, and nods when he sits down, perhaps recognising memories from summer in the twisting flames that eventually must mark his retinas. A mix of tears, sobs and smiles, the moment —along with Elio's emotional journey— is bittersweet. He bites his lip, chewing on a memory; later, a tear falls down his face and he lets it enter his mouth, letting himself literally consume the sadness, embracing and surrendering to the emotion. [...]

Call Me By Your Name: An adolescent fantasy come to life

Call Me By Your Name: An adolescent fantasy come to life

“Call me by your name, and I’ll call you by mine.” It really is the perfect eponymous quote for a film about narcissism and projected self-obsession. Suggested by Oliver to his younger male lover, it reads from his mouth as a yearning for lost youth. Yes, this film is beautifully shot, and yes, the stylisation is exquisite; but this love story is far from pure. [...]

Paraiso Perdido is Gay Netflix’s Hidden Gem

Paraiso Perdido is Gay Netflix’s Hidden Gem

Paraíso Perdido is Portuguese for paradise lost. Set almost exclusively at night in a Brazilian cabaret club lost in time, I could think of no more appropriate a name. Paraíso Perdido (Monique Gardenburg, 2018) follows the lives of a family who own and work at the club after which the film is named. We also meet other performers ーa kind of extended familyー and are introduced to the scene through Odair, a policeman who is given the club’s flyer by a speeding motorcyclist. Odair acts as a way-in for the spectator, and we discover the club, the family and their secrets alongside him. The more time he spends there, the more we all learn about this twisted family touched by tragedy. [...]